A rogue medic, her face illuminated by the harsh glow of neon-blue cybernetic implants, crouches in the cramped confines of a dilapidated hover-ambulance. Her gloved hands, adorned with intricate circuitry, deftly manipulate a array of holographic displays and surgical tools. The patient, a unconscious figure with exposed circuitry and pulsing, iridescent veins, lies on a makeshift operating table. Through the grimy windows, a dystopian cityscape of towering skyscrapers and holographic billboards rushes by, casting ever-shifting shadows across the interior. Sparks fly from malfunctioning equipment as the medic extracts a sleek, obsidian augmentation from a secured case. The air is thick with tension and the acrid smell of burning electronics. Floating nanobots swirl in the air, their microscopic forms catching the light like a swarm of bioluminescent fireflies. The ambulance interior is a chaotic blend of advanced technology and jury-rigged solutions, with cables snaking across surfaces and discarded augments littering the floor.
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